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Kudsi Erguner

Kudsi ErgunerKudsi Erguner, born in 1952 in Diyarbakir in the Eastern Turkey, but apart from his travels Istanbul became his base. He is a master of traditional Mevlevi Sufi music. and one of the best-known players of the Turkish ney flute.

Kudsi Erguner comes from a family of Turkish musicians rich in tradition. From generation to generation they have passed on the art of playing the ney flute since the 17th century.

As a boy Kudsi and his father Ulvi Erguner performed Mevlevi-Sufi music and turning to the tradition of the ceremonies. For several decades now, he has researched into the earliest roots of Ottoman music which he has also taught, performed and recorded.

In the seventies Kudsi Erguner moved to Paris where, at the beginning of the eighties, he founded the "Mevlana" Institute devoted to the study and teaching of classical Sufi music. Together with the "Kudsi Erguner-Ensemble" he developed deep insights into the diversity of his culture: the group conveys both authentic, often improvised forms of expression of classical Ottoman performances as well as a comprehensive repertoire of modern and classical pieces that can be traced back to the 13th century.

In addition to this Kudsi Erguner has performed as flautist in several operas, ballets and theatre productions and has been involved in recordings for soundtracks by Peter Brook and Peter Gabriel. At the end of the nineties he broke new musical ground with his group "Ottomania". For the first time he brought together classical Turkish musicians of the Mevlevi-Sufi tradition and European jazz musicians. Up until then encounters between Turkish musicians and jazz interpreters had taken place exclusively in the sphere of Turkish popular music. But in Kudsi"s opinion classical and modern music are by no means exclusive forms: "It"s impossible," he says, "for a classical art form to remain indifferent to the influences that stream in from the whole of the world."


Kudsi Erguner

Journeys of a Sufi Musician


Author/Artist: Kudsi Erguner
ISBN: 0863565476
Publisher: Saqi Books
First published: 2004

Kudsi Erguner spent his childhood in the Sufi gathering places of Istanbul, mastering the reed flute of the Turkish Mevlevi tradition; and his adulthood roaming the world, performing with the likes of Peter Brook, Jean-Michel Jarre and Peter Gabriel. The collision of the vanishing Sufi traditions and the burgeoning 'world music' scene is beautifully rendered in these recollections from Kudsi's childhood interwoven with his experiences in showbiz. This work is a remarkable memoir of a musician at the crossroads of East and West.














Reviews





Inspiring, Informative, Exciting


I got the tip to read this book from a friend. I learned yesterday that another friend of mine had bought it the same day. Is this a coincidence?

The book is an autobiography over the life of Kudsi Erguner, who was born into a Sufi music family. There is a CD attached to inside the back cover of the book containing many historic performances of this music, mainly performed by the father and grandfather of the writer, but also by himself and some others.

I became quite sad (this sadness is a form of self-pity and should not be taken too seriously) when I saw that Kudsi Erguner had made his first trip to London in 1971, the year I left London back to Finland - I missed the performances he made then with his father and other Turkish musicians.

What impressed me particularly in the book were:
- the history of the Mevlevi organisation in Konya
- the contact with the Gurdjieff organisations and
- the article on the reed flute, ney, in the Mevlevi tradition

The History of the Mevlevi Organisation in Konya


Quote, as a taster: "Celaleddin Celebi, thirty-second descendant of Rumi, was called upon, as it was thought that he could save the situation: his lineage justified his holiness." and "Celebi tried to make Rumi known again not as a Sufi but, as he called himself, a humanist."

I have only once seen a Celebi family member, in a Sema in Zürich a couple of years ago - he certainly did not make an impression that he would have been a Sufi master. It starts to look like the old story: do not believe anything, you must verify it, as Mr. Gurdjieff used to say.

This brings up another subject about Sufism in particular in the Middle East (other areas are a different case). Kudsi Erguner writes about the first visits to Paris and London where the Turkish musicians came in contact with the Institut Gurdjieff in Paris and the Gurdjieff Society in London.

Quote: "We were welcomed with open arms by members of the Gurdjieff groups, as well as by another group originating with P. D. Ouspensky, which met in a large building called Colet House. Their leader was a Dr. Roles."

Colet House was were Ouspensky had many of his meetings; Dr. Roles was his secretary.

What I mean by "my excitement" about what Kudsi writes is connected with "another co-incidence": that Mr. Gurdjieff arrived in Europe and started teaching here at a time when the Sufis in Turkey were heading for the hard times. Mr. Gurdjieff brough to the West the oral teachings of the Sufis and also the tradition of the Startzi of the Orthodox Church at a time when both of these had to go underground in the countries where they were active; Turkey and Russia from the actions of their respective governments.

I can well understand Kudsi Erguner when he tells how surprised he was to see that the tradition of his own country was denied and hardly existing and he found this traditiion, or at least a very similar one, in Paris and London in the Gurdjieff groups.

This book is a must for all serious students of both Sufism and the teachings of Mr. Gurdjieff.

Enjoy!

Reijo Oksanen, Switzerland

added 2008-01-26





Extracts from other reviews:
'A story of our time, of the search for eroding values, a living tradition.' -from foreword by Peter Brook 'Superb book ...' Outside Books Best Books of 2005 'Erguner is the real thing, and this is an invaluable production.' fRoots 'I much enjoyed Kudsi Erguner's autobiography ... which gives a wonderful picture of the trials of being a Sufi devotee in the early years of the Turkish republic after the banning of the Sufi orders.' William Dalrymple, Sunday Herald 'Whatever revival [of Sufi music] there is will be largely thanks to Erguner and his colleagues. He's excellent at bridging the gap between the East and West and the ironies it throws up.' Songlines 'Offers a surprisingly complex social and political history of Istanbul, a moving account of the relationship between father and son (Erguner's late father Ulvi was considered the last great ney master), [and] a nuanced essay on religion and modernity ...' Daily Star






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